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Jumat, 02 November 2012

Mechanic: Resurrection Cine Gratis

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From Summit Entertainment. Arthur Bishop (Jason Statham) returns as the Mechanic in the sequel to the 2011 global hit. When someone from his past forces him back into the business, Bishop has to complete an impossible list of assassinations of the most dangerous men in the world. (C) Summit

About Mechanic: Resurrection

Artist : Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh, Sam Hazeldine
As : Arthur Bishop, Gina, Max Adams, Mae, Riah Crain
Title : Mechanic: Resurrection Cine Gratis
Release date : 2016-08-26
Movie Code : 3522806
Duration : 100
Category : Action, Crime, Thriller

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Comment For Mechanic: Resurrection Aanhangwagen Review

Name : Greg Quill / Alias : Toronto Star
Standard Statham stuff.

Name : Keith Uhlich / Alias : Time Out
Depth of character is traded for bloody broad strokes.

Name : Rene Rodriguez / Alias : Miami Herald
Haven't we already had enough movies about solitary, enigmatic hit men? Is there anything possibly left to do with the genre that's new?

Name : John Anderson / Alias : Washington Post
"The Mechanic," 2011 edition, is a striking-looking work, combining an arty inkiness with a retro-graininess that more or less screams 1970s, albeit without the cliches and flatness. If only you liked the people in the picture.

Name : Brian Lowry / Alias : Variety
It proves middling, and occasionally muddled, on almost every level.

Name : Tom Long / Alias : Detroit News
Jason Statham needs to get a tune-up, switch gears and hit the gas.

Name : Manohla Dargis / Alias : New York Times
A sputtering remake in need of a more powerful recharge.

Name : James Berardinelli / Alias : ReelViews
The Mechanic is adequate light entertainment for those who enjoy thrillers, but it is uneven and the underwhelming ending will disappoint those who enjoyed the delicious irony served up by its predecessor.

Name : Michael Phillips / Alias : Chicago Tribune
Let's not denigrate the term "action film" by applying it to the remake signed by director Simon West. This is a violence film, not an action film.

Name : Glenn Kenny / Alias : MSN Movies
The Mechanic is my kind of action movie: nasty, brutish, brisk and ass-kicking.

Name : Mary F. Pols / Alias : TIME Magazine
The interplay between dry Arthur and crazy, caustic Steve is what makes the movie fun.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Even by the sloppy, soulless standards of hit man movies, "The Mechanic" is a mess.

Name : Bruce Diones / Alias : New Yorker
Statham is a model of control; he's steely and graceful in his action scenes, and his interplay with the wiry Foster delivers the goods.

Name : Todd McCarthy / Alias : Hollywood Reporter
Frantic, numbing redo of the Charles Bronson original for hardcore Statham and action fans only.

Name : Owen Gleiberman / Alias : Entertainment Weekly
The Mechanic is ham-fisted pulp, like Robert Rodriguez's Machete taking itself seriously.

Name : Dana Stevens / Alias : Slate
The Arthur/Steve relationship at the movie's heart is what lifts The Mechanic above the common run of kablammo! action thrillers.

Name : Mark Jenkins / Alias : NPR
Betrayal, sympathy and regret are central to the story, but there's hardly any room for such feelings amid the clockwork carnage.

Name : Peter Travers / Alias : Rolling Stone
The result is just good enough to pass as an action flick you watch with the forgiving gaze that comes from too many beers and too little sleep.

Name : John Hartl / Alias : Seattle Times
West's slick, fairly faithful new remake gives partial screenplay credit to Lewis John Carlino, who wrote the original "Mechanic." But the picture isn't likely to do for Jason Statham what the 1972 film did for Bronson.

Name : Lou Lumenick / Alias : New York Post
Considerably more fun than the rather lethargic original.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The new stunts are explosive, over-the-top and a sign of the times - action fans aren't happy these days, it seems, unless at least one scene involves a jackknifing 18-wheeler and a fireball.

Name : Steven Rea / Alias : Philadelphia Inquirer
It's about gunplay and pricey sports cars bursting into flames while three or four cameras capture the moment. In slo-mo. Cue the cool music.

Name : J. R. Jones / Alias : Chicago Reader
While that pop mythology was still relatively fresh back in Bronson's day, it's so played out at this point that not even the enjoyably no-nonsense Statham can pump any life into it.

Name : Derek Adams / Alias : Time Out
With its unrelenting violence and obligatory bonking sessions, this is one for avid 'Stath' fans only.

Name : Mick LaSalle / Alias : San Francisco Chronicle
To the extent it makes sense, it's a collection of time-honored cliches, and to the extent that it's original, "The Mechanic" is insane, bordering on gloriously insane.

Name : Leah Rozen / Alias : TheWrap
Statham, he of the chiseled physique and sexily receding hairline, holds his own here, doing what he has to in scenes and no more - which is perfect for a movie like this.

Name : Roger Ebert / Alias : Chicago Sun-Times
"The Mechanic" tells a story as old as "Hamlet" in a style as new as unbaked bread. What's the point?

Name : Rafer Guzman / Alias : Newsday
Clinging to false heroism and terrified of anything too dark, The Mechanic is a tough-guy movie for wimps.

Name : Joe Morgenstern / Alias : Wall Street Journal
Mr. Statham, the specialist in English tough guys who was so affecting in "The Bank Job," has more to offer than "The Mechanic" has the grace to receive.

Name : Una LaMarche / Alias : New York Observer
The Mechanic is like a Beretta loaded with blanks - quick and brutal but ultimately empty.

Name : Scott Bowles / Alias : USA Today
The first legitimate action film of 2011.

Name : Tom Russo / Alias : Boston Globe
An intermittently arresting, mostly standard action entry that deals death noisily more than cleverly - a lot like the original.

Name : Liam Lacey / Alias : Globe and Mail
There just isn't enough consistent energy to light up the glum, generic plot or enliven the one-dimensional performances.

Name : Bill Goodykoontz / Alias : Arizona Republic
Statham is, in his understated way, a satisfying action star, stoically going about his business. Foster is just a flat-out good actor, as anyone who saw his work in "The Messenger" or "3:10 to Yuma" can attest.

Name : Josh Modell / Alias : AV Club
Statham and Foster play off each other nicely, and director Simon West strikes a playful balance between carnage and conviviality, gore and gregariousness.

Name : Brian Miller / Alias : L.A. Weekly
The Company Men with guns, but no families or pensions. All they have is their job, and retirement literally equals death.

Name : Christy Lemire / Alias : Associated Press
Statham, the British star of the Transporter and Crank films and an old favorite of Guy Ritchie, has a quietly fierce physicality, a stylish masculinity that makes him appealing to both men and women.

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Kamis, 26 November 2015

FREE Jouer 2016 Bastards Movies

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : FREE Jouer 2016 Bastards Movies
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Comment For Bastards Cine

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

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